A work in constant progress (and occasional regress).
Birthplace:
Stamford, Connecticut, USA
Born:
December 10, 1997
Cole Bacani is a Filipino-American director, writer, and director of photography. He was born on December 10, 1997 in Stamford, Connecticut; but he spent most of his life in the Chicago suburbs. Cole is an alumni of the USC School of Cinematic Arts. In 2016, he received a Crystal Pillar of Excellence for his cinematography from the National Academy of Television Arts and Sciences. Cole focuses on painfully awkward and brutally honest coming-of-age stories.
Cinematography:
2019 In Another Place
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
Director:
2019 I Never Picked Cotton
2019 In Another Place
2020 Afterimages
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
2021 Everything Stays
???? A Reason To
Director of Photography:
2019 I Never Picked Cotton
2019 In Another Place
2020 Afterimages
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
2021 Everything Stays
???? A Reason To
???? House Rules
Producer:
2019 I Never Picked Cotton
2019 In Another Place
2020 Afterimages
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
2021 Everything Stays
???? A Reason To
???? House Rules
Second Assistant Camera:
2019 Boléro
2019 I Never Picked Cotton
2019 In Another Place
2020 12 Days of Christmas
2020 Afterimages
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
2021 Everything Stays
???? A Reason To
???? House Rules
Writer:
2019 Boléro
2019 I Never Picked Cotton
2019 In Another Place
2020 12 Days of Christmas
2020 Afterimages
2020 Grapefruit & Heat Death!
2020 Like You Said You'd Be
2021 Everything Stays
???? A Reason To
???? House Rules
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.