Ryoji Yamada

Alias:
Ryouji Yamada
山田遼志

Born in 1987 and lived in Germany working as a trainee for the Japanese Council for Cultural Affairs, and studying at Filmakademie for 2018–2019 as a guest student. Finished MFA in Tama Art University in 2013, he was working at Garage Film .inc as an animator for 3 years, after he become a freelance. Continued to produce artwork alongside creating moving images for advertisements.Still an undergrad in 2010, he broke into the animation industry by participating in the International Animation Film Festival. Today, his films are screened in Japan and internationally at shows like the Annecy International Animation Film Festival.

Additional information:

The Search Form


Animation:
2007  Rock'n Roll Bath
2009  Joint
2010  Tosca
2010  Uranof
2010  Yume Utsutsu
2011  LaLaLa, BROTHERS
2017  Hunter
2019  Firehead
2019  Gravedad
2020  Aura

Director:
2007  Rock'n Roll Bath
2009  Joint
2010  Tosca
2010  Uranof
2010  Yume Utsutsu
2011  LaLaLa, BROTHERS
2012  POPPING,MIXING
2013  Waiter
2017  Hunter
2019  Firehead
2019  Gravedad
2019  Prayer X
2020  Aura

Screenplay:
2007  Rock'n Roll Bath
2009  Joint
2010  Tosca
2010  Uranof
2010  Yume Utsutsu
2011  LaLaLa, BROTHERS
2012  POPPING,MIXING
2013  Waiter
2017  Hunter
2019  Firehead
2019  Gravedad
2019  Prayer X
2020  Aura

Opening/Ending Animation:
2021  ODDTAXI

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.