A work in constant progress (and occasional regress).
Born:
September 25, 1992
Ananth Subramaniam is a Malaysian filmmaker whose work explores Tamil-ancestral identity and family through layered genre storytelling. In 2025, his short film Bleat! became the first Malaysian short selected at Cannes, premiering at La Semaine de la Critique. His previous short Liar Land received a Special Mention at Locarno Film Festival. He is developing his debut feature The Passport, supported by Berlinale's Talents Tokyo, Locarno Open Doors, and won prizes at BIFAN and QCinema.
Director:
2018 Colourless
2019 Liar Land
2022 The House of Brick and Stone
2025 Bleat!
Screenplay:
2018 Colourless
2019 Liar Land
2022 The House of Brick and Stone
2025 Bleat!
Writer:
2018 Colourless
2019 Liar Land
2022 The House of Brick and Stone
2025 Bleat!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.