A work in constant progress (and occasional regress).
Birthplace:
Sweden
Ashley Agren was born in Sweden and raised in the suburbs of Santa Clarita, California, where she fell in love with filmmaking at the age of 13. Since then she has developed her skills as a head-shot photographer and wedding videographer and enrolled at USC's School of Cinematic Arts. She worked at FPC under Beau Flynn and Wendy Jacobson, and has helped out on projects like "My Dead Ex" and It's Guys Night (2015) in all forms of pre-production. Ashley made her writing, directing, and acting debut in her short film Magnetic Attraction (2014) about a world where people who are literally magnetically attracted to one another must face the fact that they can no longer hide their feelings.
Cinematography:
2019 Memio
2019 The Bee
2020 Feeling Sexual
First Assistant Camera:
2019 Memio
2019 The Bee
2020 Feeling Sexual
2020 Sympatico
2024 MARIE
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.