Camila Prisco Paraiso

Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil

Camila Prisco Paraiso is a cinematographer based in Los Angeles, California.  Born and raised in Rio de Janeiro, Brazil, she has lived in many cities and countries around the world, including Portugal and New Zealand. She developed her passion for photography and film as she started to document her traveling adventures.  Graduated from the University of Southern California School of Cinematic Arts in 2018, Camila has contributed to many films as cinematographer, art director and producer. She has interned at a creative agency, film festivals and at the talent agency APA. Camila recently joined the Associação Brasileira de Cinematografia (ABC), as well as the collective DAFB for Brazilian women and transgender people in cinematography.

Additional information:

The Search Form


Assistant Camera:
2019  Expiration

Cinematography:
2018  Boob Sweat
2019  Expiration

Director of Photography:
2018  Boob Sweat
2019  Expiration
2024  LULLABY.E

Set Dresser:
2018  Boob Sweat
2019  Expiration
2020  12 Days of Christmas
2024  LULLABY.E

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.