Juliana Ferreira

Alias:
Jules Ferreira

Professionally trained freelance make up artist and hair stylist with 10 years experience working in film, TV, fashion and events covering all areas of hair, wigs, make up, prosthetics and bodypainting.  Working with main UK and US broadcasters such as BBC, ITV, Sky, Disney, Fox, HBO and Netflix.  Qualified at the acclaimed CBMA Christine Blundell Make up Academy for Film and TV in London and continuous training in specialised hair and make up schools.  ​Previous experience as make up consultant at Chanel, Mac, Bobbi Brown, Clinique, Nars and Kiehls. Juliana has extensive product knowledge and skilled in applying make up in all skin tones. ​Has worked in hairdresser salons in Brazil at the start of her career where she is originally from. Later back in the UK, worked as interpreter at Sassoon Academy in London.  ​Has worked at prosthetics workshops as prosthetics assistant and specialised in "silicone running".  ​Hair and make up team member in London Fashion Week shows and fashion photoshoots.  ​Participates in face and bodypainting competitions and make up demos at festivals.

Additional information:

The Search Form


Hairstylist:
2020  Artemis Fowl
2020  Mogul Mowgli

Makeup & Hair:
2013  This Way Out
2018  Patrick
2019  Rocks
2020  Artemis Fowl
2020  Mogul Mowgli

Makeup Artist:
2013  This Way Out
2013  Wasted
2018  Patrick
2019  Rocks
2020  Artemis Fowl
2020  Mogul Mowgli

Makeup & Hair:
2020  Flesh and Blood

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.