A work in constant progress (and occasional regress).
Birthplace:
Canada
Jess X. Snow is a filmmaker, multi-disciplinary artist, and author. Born in Canada, of JiangXi Chinese heritage, through a wide range of mediums and genres and a dream-like lens, their work explores intergenerational healing, migration, surrealism, multispecies justice, and abolitionist futures. After completing their MFA in screenwriting and directing from the Graduate Film Program at NYU, they were named one of Filmmaker Magazine's 25 New Faces of Independent Film. Their genre-defying short films unveil how flawed diasporic people live, heal and refuse with bold visuals and poetic lyricism. They screened at over 40+ festivals in five continents; including BlackStar, New Orleans, Ann Arbor, Outfest, Frameline and Durban International Film Festival (Special Mention). Their latest short, ROOTS THAT REACH TOWARD THE SKY (2024) premiered at the 68th BFI London Film Festival. They are in late development for WHEN THE RIVER SPLIT OPEN, their debut fiction feature; a surreal road movie supported by Cine Qua Non Script Revision Lab, Science New Wave, and the Film Independent Producing Lab. They were a cinematographer and producer on several narrative and documentary films that have screened at festivals including Toronto (TIFF), Palm Springs and Aspen ShortsFests. They are currently in development for their first narrative feature, WHEN THE RIVER SPLIT OPEN, a romantic road movie that participated in the 2023 Cine Qua Non Script Revision Lab. Their projects have been awarded grants and fellowships from the Sloan Foundation for Science in Film, the Tribeca Film Institute, Caldera, BAFTA, Canada Council for the Arts and the National Film Board of Canada. Previously, they were the artist in residence at the NYU Asian Pacific American Institute and the Asian American Studies department at UC Santa Barbara where they taught workshops in screenwriting and community arts practice.
Assistant Director:
2016 Nước (Water/Homeland)
Associate Producer:
2016 Nước (Water/Homeland)
2025 In Between Storms
Co-Producer:
2016 Nước (Water/Homeland)
2021 Fervor
2025 In Between Storms
Director:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Motherland
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Roots That Reach Toward The Sky
2025 In Between Storms
???? When the River Split Open
Director of Photography:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2025 In Between Storms
2025 We Were The Scenery
???? Retrieval
???? When the River Split Open
Editor:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2025 In Between Storms
2025 We Were The Scenery
???? Retrieval
???? When the River Split Open
Executive Producer:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2024 The Beguiling
2025 In Between Storms
2025 We Were The Scenery
???? Retrieval
???? When the River Split Open
Producer:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Happy Thanksgiving
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2024 The Beguiling
2025 In Between Storms
2025 We Were The Scenery
???? Retrieval
???? When the River Split Open
Screenplay:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Happy Thanksgiving
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2024 The Beguiling
2025 In Between Storms
2025 We Were The Scenery
???? Retrieval
???? When the River Split Open
Writer:
2016 Nước (Water/Homeland)
2017 Afterearth
2018 Cherish
2018 Motherland
2019 Be A Fish
2019 Safe Among Stars
2021 Fervor
2021 Little Sky
2023 I Wanna Become the Sky
2023 Subliminal
2024 Happy Thanksgiving
2024 Nobuko Miyamoto: A Song In Movement
2024 Roots That Reach Toward The Sky
2024 The Beguiling
2025 In Between Storms
2025 We Were The Scenery
???? Alien Enemies / Alien Friends
???? Retrieval
???? When the River Split Open
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.