Jess X. Snow

Birthplace:
Canada

Jess X. Snow is a filmmaker, multi-disciplinary artist, and author. Born in Canada, of JiangXi Chinese heritage, through a wide range of mediums and genres and a dream-like lens, their work explores intergenerational healing, migration, surrealism, multispecies justice, and abolitionist futures.  After completing their MFA in screenwriting and directing from the Graduate Film Program at NYU, they were named one of Filmmaker Magazine's 25 New Faces of Independent Film. Their genre-defying short films unveil how flawed diasporic people live, heal and refuse with bold visuals and poetic lyricism. They screened at over 40+ festivals in five continents; including BlackStar, New Orleans, Ann Arbor, Outfest, Frameline and Durban International Film Festival (Special Mention). Their latest short, ROOTS THAT REACH TOWARD THE SKY (2024) premiered at the 68th BFI London Film Festival. They are in late development for WHEN THE RIVER SPLIT OPEN, their debut fiction feature; a surreal road movie supported by Cine Qua Non Script Revision Lab, Science New Wave, and the Film Independent Producing Lab. They were a cinematographer and producer on several narrative and documentary films that have screened at festivals including Toronto (TIFF), Palm Springs and Aspen ShortsFests. They are currently in development for their first narrative feature, WHEN THE RIVER SPLIT OPEN, a romantic road movie that participated in the 2023 Cine Qua Non Script Revision Lab.  Their projects have been awarded grants and fellowships from the Sloan Foundation for Science in Film, the Tribeca Film Institute, Caldera, BAFTA, Canada Council for the Arts and the National Film Board of Canada. Previously, they were the artist in residence at the NYU Asian Pacific American Institute and the Asian American Studies department at UC Santa Barbara where they taught workshops in screenwriting and community arts practice.

Additional information:

The Search Form


Assistant Director:
2016  Nước (Water/Homeland)

Associate Producer:
2016  Nước (Water/Homeland)
2025  In Between Storms

Co-Producer:
2016  Nước (Water/Homeland)
2021  Fervor
2025  In Between Storms

Director:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Motherland
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Roots That Reach Toward The Sky
2025  In Between Storms
????  When the River Split Open

Director of Photography:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2025  In Between Storms
2025  We Were The Scenery
????  Retrieval
????  When the River Split Open

Editor:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2025  In Between Storms
2025  We Were The Scenery
????  Retrieval
????  When the River Split Open

Executive Producer:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2024  The Beguiling
2025  In Between Storms
2025  We Were The Scenery
????  Retrieval
????  When the River Split Open

Producer:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Happy Thanksgiving
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2024  The Beguiling
2025  In Between Storms
2025  We Were The Scenery
????  Retrieval
????  When the River Split Open

Screenplay:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Happy Thanksgiving
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2024  The Beguiling
2025  In Between Storms
2025  We Were The Scenery
????  Retrieval
????  When the River Split Open

Writer:
2016  Nước (Water/Homeland)
2017  Afterearth
2018  Cherish
2018  Motherland
2019  Be A Fish
2019  Safe Among Stars
2021  Fervor
2021  Little Sky
2023  I Wanna Become the Sky
2023  Subliminal
2024  Happy Thanksgiving
2024  Nobuko Miyamoto: A Song In Movement
2024  Roots That Reach Toward The Sky
2024  The Beguiling
2025  In Between Storms
2025  We Were The Scenery
????  Alien Enemies / Alien Friends
????  Retrieval
????  When the River Split Open

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.