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Debra McClutchy

Alias:
데브라 맥클러치

Biography from TheMovieDB

Debra McClutchy is a Brooklyn-based independent filmmaker and content creator. Her most recent film credits include co-director of THE MARTHA MITCHELL EFFECT, an Academy Award-nominated 40-minute archival documentary short distributed by Netflix that premiered at the 2022 Sundance Film Festival. Previously, she co-produced THE BOOKSELLERS, a feature documentary about the New York rare book world that premiered at the 2019 New York Film Festival and is distributed by Greenwich Entertainment. For eleven and a half years, she was a senior creative member at Oscilloscope Laboratories, a film distribution company in New York City founded by Adam Yauch of Beastie Boys. There, she created special-edition home video releases, managed film restorations and print publications, and co-created an interactive documentary about the founding of the company. She was also a producer for The Criterion Collection in New York City, and an associate producer in documentary television in New York City and San Francisco. When she’s not making films or creating other cool stuff, she’s biking around the five boroughs and practicing her pizzaiola skills.

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Film Production

Co-Producer:
2006  The Making of 'Harlan County U.S.A.'
2020  The Booksellers

Director:
2006  The Making of 'Harlan County U.S.A.'
2020  The Booksellers
2022  The Martha Mitchell Effect

Producer:
2006  Discovering William Greaves
2006  The Making of 'Harlan County U.S.A.'
2011  LCD Soundsystem: The Long Goodbye
2020  The Booksellers
2022  The Martha Mitchell Effect

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.