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Christian Nilsson (b. 1987)

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Birthplace:
Long Island, New York, USA

Born:
December 31, 1987

Biography from TheMovieDB

Christian Nilsson is an Emmy Award-winning video journalist, filmmaker, and creative director whose work spans narrative film, documentary, and branded storytelling. He’s the writer/director behind Dashcam and Unsubscribe—the $0-budget short that unexpectedly topped the U.S. box office in 2020.  His second feature, Westhampton, is World Premiering at the 2025 Tribeca Festival and stars Finn Wittrock, RJ Mitte, Jake Weary, and Amy Forsyth. His latest screenplay, Paparazzo, appeared on the 2024 Black List and is currently in development with Passage Pictures.  Christian has produced editorial and branded video content for The Atlantic, BuzzFeed, Esquire, HuffPost, MTV, and others—blending cinematic craft with sharp journalistic instinct. His short documentary The Fight To Be The Oldest Bar In NYC earned him a New York Emmy Award in 2017.  He is a member of the Producers Guild of America and lives in New York City.

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Additional information:

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Film Performances

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Film Production

Director:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

Editor:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

Producer:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

Screenplay:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

Story:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

Writer:
2020  Unsubscribe
2021  Dashcam
2025  Westhampton

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.