A work in constant progress (and occasional regress).
Born:
September 23, 1989
Brian Lawes is an award-winning director, writer, and producer. His film and commercial work has played all across the world at Academy Award and BAFTA qualifying festivals, as well as to online and broadcast audiences. His most recent film, Lost Kings, won the Jury Awards for Best U.S. Narrative Short at the Santa Fe Independent Film Festival, Best Short at the Flickers’ Rhode Island International Film Festival, and Short Film Honorable Mention at the Omaha Film Festival. Most recognized for his craft of story and narrative work, Brian has also made a name for himself working among the documentary, commercial, and branded content world. His collaborative approach alongside his creative team and the brands he represents continues to elevate him as a highly effective and emotionally resonant storyteller.
Co-Director:
???? Dialogue Lab: America
Director:
2018 Rock Paper Scissors
2020 Lost Kings
???? Dialogue Lab: America
Editor:
2018 Rock Paper Scissors
2020 Lost Kings
???? Dialogue Lab: America
Executive Producer:
2018 Rock Paper Scissors
2020 Lost Kings
???? Dialogue Lab: America
Producer:
2018 Rock Paper Scissors
2020 Lost Kings
???? Dialogue Lab: America
Production Assistant:
2018 Rock Paper Scissors
2020 Lost Kings
???? By the Time the Sun Is Hot
???? Dialogue Lab: America
Writer:
2018 Rock Paper Scissors
2020 Lost Kings
???? By the Time the Sun Is Hot
???? Dialogue Lab: America
Additional Camera:
2021 Tiger King: The Doc Antle Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.