A work in constant progress (and occasional regress).
Birthplace:
Campinas, São Paulo, Brazil
Bachelor in Social Sciences at Unicamp (State University of Campinas) and in Cinema at UFF (Federal Fluminense University). Works as Director in short-length films, Assistant Director in feature films, Editor and Movie Critic. Director of the horror short-length films “Sand Boy” (2022), sponsored by Edital Lab Curta 2021 and “Let the Sun” (2019), released in Cinematéque of MAM (Modern Art Museum) and in Sundown Film Fest, in Germany. As a film critic for "Ganga Bruta” magazine, he covered the 21st and 22nd editions of the Tiradentes Film Festival. Simões was also the curator of the Film Club “Película Livre” in Campinas, São Paulo.
Assistant Director:
2018 Love
Assistant Director of Photography:
2015 Paranoia
2018 Love
Color Grading:
2015 Paranoia
2016 In Limbo
2018 Love
Continuity:
2015 Paranoia
2016 In Limbo
2018 Love
2018 Prisma
Director:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
Editor:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
Executive Producer:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
Script:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
Third Assistant Director:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
2023 The Midnight Threshold
Writer:
2013 Colors
2015 Colors+:: Terezinha
2015 Paranoia
2016 In Limbo
2017 Color of My Father
2018 Love
2018 Moon Party
2018 Prisma
2019 Let the Sun
2020 Echoes
2023 Menino de Areia
2023 The Midnight Threshold
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.