Cédric Blaisbois

Birthplace:
Paris, Ile-de-France, France

Cédric Blaisbois is a French filmmaker, screenwriter, and actor from Paris, known for for his organic and visceral dark visual style. After graduating in Fine Arts from the Ensad Cédric work as a graphic designer blending modern elements with classic design to produce artwork for record labels and French house artists such as Kavinsky. He then began directing, retooling his design experience to shoot music videos for electronica acts such as Huoratron and Mr Flash. Inspired by art house directors such as David Cronenberg and William Friedkin, his ability to engender powerful footage that blends the boundary between reality and fantasy immediately brought him to the forefront of commercial production and promo work across Europe. Billboard ranked Corporate Occult number 1 as "the scariest, goriest, freakiest, most intense music video ever." in 2016. Cedric's experience of mixing a variety of techniques, in addition to his graphic design background has made for an exceptional visual pallet. His images are fantastic yet rooted in the real world, an inspired filmmaker who pushes the boundaries of creativity to craft spectacular moving images. In 2019, Vice pointed how he faithfully narrated the nightlife of young Venezuelans in Nicolás Maduro's Country, for his very first short film Autocannibalism.

Additional information:

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Director:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Director of Photography:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Editor:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Producer:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Screenplay:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Visual Effects:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

Writer:
2011  Corporate Occult
2012  Flesh
2013  Together We Play
2018  Autocannibalism
2020  Balcón

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.