Cassandre Girard

Cassandre has recently wrapped on the recent Australian horror: Puzzle box by Jack Dignan. She doesn’t shy away from horror films, having previously worked with Jack on the After She Died feature. Her extensive set experience also includes working on Deadly Women and Home & Away, on the Marvel Productions of Shang Shi and the legend of the Ten Rings and Thor: Love and Thunder, on Three Thousand Years of Longing by George Miller, as well as indie Australian thriller, Surreal. Always professional, she loves to work closely with the director and her co-stars and making sure the story is being told as truthfully as possible. Her training in theatre began at the age of 11 years old, when she became part of a French theatre troop for 2 years.  She moved to Australia in 2014 and got accepted at the Sydney Theatre School for the 1 Year Part Time Foundation Course in 2017. She has attended several Masterclasses taught by Australian industry professionals including Kevin Jackson, Jeremy Sims, Stevie Ray, Macaeley Gibson amongst others. Passionate about action films and theatrical adventures, Cassandre took on a 10 weeks Full time course with Kyle Rowling at the Action Acting Academy in early 2019 and a 2 weeks Full time course in 2021 where she graduated by becoming an advanced stage combatant. She has a strong suit for Meisner technique and a deep knowledge and passion for script analysis and character development.  She had the audacity to apply and be cast in the French Survivor at only 21 years old and then be cast again for the All Stars season in 2017. She sadly got blindsided twice, but definitely put on a show for the greatest pleasure of the 15M people watching. In 2022, she has co-created SWFTT, a networking group for women identifying and non binary legends and once a month, a night of Q&A with special industry guests is organised around Sydney where awe inspiring conversations are engaged. Cassandre searches for deep human connections in both real life and on set, and the richness of her emotions allows her to easily bond and reach a beautiful vulnerability even when she portrays the most villainous characters.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.