A work in constant progress (and occasional regress).
Assistant Camera:
1963 Spanilá jízda
1964 A Place in the Crowd
1964 Deváté jméno
1965 Lov na mamuta
1965 Seven Days in a Week
1965 Svatba s podmínkou
1968 Колония Ланфиер
1970 On the Trail of Blood
1972 Cesty mužů
1973 Počkám, až zabiješ
1974 Výstřely v Mariánských Lázních
1976 Profesoři za školou
1976 We'll Kick Up a Fuss Tomorrow, Darling...
1977 All Against All
1978 'Okay, Boss...!'
1979 I'll Be Good, Old Man!
1980 Kdo přichází před půlnocí
1980 The Medal
1981 Cutting It Short
1982 Chief, It's Amazing
1983 Poslední vlak
1984 Oči pro pláč
1984 Samorost
1985 Oldrich and Bozena
1985 Všechno nebo nic
1986 Veronika
1987 Fair Play
1987 Where the Early Bird Catches the Worm
1987 Černá punčocha
1988 Citlivá místa
1988 Pan Tau – der Film
1988 Who's That Soldier?
Camera Operator:
1963 Spanilá jízda
1964 A Place in the Crowd
1964 Deváté jméno
1965 Lov na mamuta
1965 Seven Days in a Week
1965 Svatba s podmínkou
1968 Колония Ланфиер
1970 On the Trail of Blood
1972 Cesty mužů
1973 Počkám, až zabiješ
1974 Výstřely v Mariánských Lázních
1976 Profesoři za školou
1976 We'll Kick Up a Fuss Tomorrow, Darling...
1977 All Against All
1978 'Okay, Boss...!'
1979 I'll Be Good, Old Man!
1980 Kdo přichází před půlnocí
1980 The Medal
1981 Cutting It Short
1982 Chief, It's Amazing
1983 Poslední vlak
1984 Oči pro pláč
1984 Samorost
1985 Oldrich and Bozena
1985 Všechno nebo nic
1986 Veronika
1987 Fair Play
1987 Where the Early Bird Catches the Worm
1987 Černá punčocha
1988 Citlivá místa
1988 Pan Tau – der Film
1988 Who's That Soldier?
1989 Jonáš II aneb Jak je důležité míti Melicharovou
Assistant Camera:
2013 Letící delfín
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.