A work in constant progress (and occasional regress).
My first sentence was "me do it", and I have always gotten a thrill out of living through first-hand experience, whether that would be touching the iron after my mother's warning that it was hot, taking up motocross, or living the life of a character in completely different circumstances than myself. I was adamant about doing things myself and pushing the limits. In fact, if you were to ask my parents their key words to describe me, they would say "mischievous", "determined", and "stubborn", key traits that have bled into characters I embody as an actor. As a child, my imagination was wild and untethered, and I constantly created stories in my head. My first theater was the living room in my parents' house that looked out onto the sprawling front yard and the street. I became a devoted storyteller, even if I was the only one there to speak and listen. From an early age I found my place through storytelling. I attended Sewanee: The University of the South because Tennessee Williams left his estate to the school and his characters' stories were so intriguing. Sewanee also led me Michael Howard Studios, as a professor of mine was close to the studio. Since moving to New York, I have been working in film, television, and commercial voiceover. I completed the Michael Howard Studios One- and Two-Year Conservatories. During the Second Year, I joined the second season of the web series "The Egos" and soon became a series regular, and constant collaborator with ENV. I also began my commercial voiceover career. I am currently a freelancing VO actor, and I most recently booked a national TV spot for the Macy's Star Signature Diamond Engagement Ring. On screen I am the heroine or girl next door with an edge. I am seemingly naive and sweet, but I have a surprising bit of bite to my bark. I am wily and sincere. My favorite examples to describe this are Eve Harrington from All About Eve, Maggie in The Newsroom, and Fiona Gallagher in Shameless. Like me, they have strong wills, high aspirations, are plucky, filled to the brim with gumption, and never stop fighting for what they fiercely want. I was born and raised in Texas, a face that might lead you to assume that I am a sweet southern belle, innocent and naïve. That would be a negative, ghostrider. The only thing remotely southern about me is my constant use of the word "y'all", and my family given name: Pagie. I am the fourth, and youngest, in a family tradition of Page's. Most people don't see the subtle switch of the "g" and "i" in my name, to which I reply, "I know, it's weird". And I love my non-conformative name. It is the perfect hint that you might not have me figured out as well as you thought you did, much like my type on film. I am full of surprises, the perfect mix of sweet, sassy, and salty, and undeniably Pag(i)e.
Writer:
2019 The Egos get Canceled
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.