A work in constant progress (and occasional regress).
Alias:
Juanjo Domínguez
Birthplace:
San Luis Potosi, San Luis Potosi, Mexico
Born:
April 25, 1999
Mexican multidisciplinary artist with experience in theater and film. As a founding member of Un Cuarto Studios, he is dedicated to audiovisual production and the creation of cultural content. In the cinematographic field, he has directed and produced projects such as "Como si estuvieras", "Réquiem por un amor", and "Desastre: un breve recordatorio de la soledad". He has also collaborated in feature films such as "Bardo, falsa crónica de unas cuántas verdades" by Alejandro G. Iñárritu and "OCA" by Karla Badillo. His work in multimedia and technical production has been recognized in projects and festivals such as the National Circuit of Performing Arts in Independent Spaces, Audiovisual Centers, San Luis Potosí International Film Festival, Monterrey International Film Festival, Tamatán Mexican Film Festival, among others.
Colorist:
2019 Como Si Estuvieras
Director:
2019 Como Si Estuvieras
2024 DISASTER: a brief reminder of loneliness
2024 Traffic Light
Director of Photography:
2019 Como Si Estuvieras
2019 Nogal.
2024 DISASTER: a brief reminder of loneliness
2024 Traffic Light
Editor:
2019 Como Si Estuvieras
2019 Nogal.
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Traffic Light
Executive Producer:
2019 Como Si Estuvieras
2019 Nogal.
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Traffic Light
Post Producer:
2019 Como Si Estuvieras
2019 Nogal.
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Traffic Light
Producer:
2019 Como Si Estuvieras
2019 Nogal.
2023 Requiem For A Love
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Traffic Light
Second Assistant Director:
2019 Como Si Estuvieras
2019 Nogal.
2023 Requiem For A Love
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Tlön
2024 Traffic Light
Writer:
2019 Como Si Estuvieras
2019 Nogal.
2023 Requiem For A Love
2024 DISASTER: a brief reminder of loneliness
2024 The Contact
2024 Tlön
2024 Traffic Light
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.