A work in constant progress (and occasional regress).
Yolanda L. Gaskins was born on September 8, 1951, in Washington, D.C. She is an American radio and television broadcast personality, writer, and producer. Gaskins attended Western High School, now Duke Ellington School of the Arts, where she was involved in the choir and played lead roles in several musicals and theatrical productions. She also participated in a radio production training program at WOOK-AM radio station, where she was the only female participant. Gaskins received her B.A. from Lincoln University in Pennsylvania and her J.D. from Georgetown University Law Center. She began her broadcasting career in 1983 and has worked for several prominent media organizations, including CNN, NBC, Black Entertainment Television, and E! Entertainment Television. In 1993, Gaskins became the first African American woman news anchor/show host on a cable news network in America when she joined CNN. She has also worked as a television news anchor and reporter, radio talk show host, and television producer. Some of her notable roles include hosting the nationally syndicated show PM Magazine and being featured in O Magazine in 2005. Additionally, she has appeared in television shows such as “The Wire” and “Lois & Clark: The New Adventures of Superman.” In 2005, Gaskins left radio to become the Director of Media Relations and spokesperson for Holy Cross Hospital in Maryland. During her 12 years there, she created media strategies on various issues and produced videos for internal and external communication. In 2013, she founded Gaskins Media Works, a strategic communications firm that provides services to nonprofit organizations. Today, Gaskins lives in Silver Spring, Maryland, and continues her work as a media consultant and video producer.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.