A work in constant progress (and occasional regress).
Birthplace:
Kitchener, Ontario, Canada
Working in expanded modes of film and video production, Charlie Egleston (b. Kitchener, Ont., 1973) has been making films, videos and multidisciplinary work over the past twenty-five years. His films have been screened nationally and internationally at prestigious artist film venues, including; IFF Rotterdam, Oberhausen IFF, Ann Arbor FF, WNDX FF, and Media City FF where his work has been regularly showcased. His work, whether through photochemical or digital means, is characterized by an approach that considers durational experience and personal interaction as a way of presenting or enabling form. He has also collaborated with other artists in various manifestations of projection performance. Egleston is a graduate of the Film Studies program at the University of Western Ontario (HBA) and the Film Production program at York University (MFA). A recipient of awards and scholarships that include the Canada Council for the Arts, Ontario Arts Council, Social Science and Research Council of Canada (SSHRC), and numerous teaching awards, he has also held committee, jury and board positions for organizations such as the Ontario Arts Council, London Arts Council, Forest City Gallery, and the London Canadian Film Festival. Apart from his own filmmaking practice he has collaborated with other filmmakers/artists as an editor and cinematographer. He has programmed, provided artist talks, held workshops and advocated screen space for marginalized modes of film production through co-founding the London Canadian Film Festival (2002-08), founding the London Film and Video Society (1997-2001), and through serving on the founding board of the London Ontario Media Arts Association (2011-present). His teaching career started at the University of Western Ontario where he enjoyed designing a production curriculum from the ground up and has since moved to Fanshawe College, where he is currently a Professor in the Advanced Filmmaking Program. His film work is distributed by the Canadian Filmmakers Distribution Centre (CFMDC).
Director:
2001 Family Portrait
2001 Travel Film
2003 Hunter-Gatherer
2021 HE SAID / SHE SAID
2022 Family Portrait #4
???? Family Portrait #2
???? SEE/SAW
???? Still Life
Producer:
2001 Family Portrait
2001 Travel Film
2003 Hunter-Gatherer
2017 The Heart of the Blackhawks
2021 HE SAID / SHE SAID
2022 Family Portrait #4
2022 Lucid
???? Family Portrait #2
???? SEE/SAW
???? Still Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.