A work in constant progress (and occasional regress).
Birthplace:
London, United Kingdom
Since joining the industry in 2019, Clemente has written 9 short films, 3 features as well as a draft pilot for a TV show. He has directed 6 short films, 3 music videos and been commissioned to direct a film piece for an art installation. He is currently in development for his first feature “Wild Is the Wind” and has just finished his ‘final’ short film “RED (with the green hair)” produced by xFIlm, Racket Pictures and Our House Pictures. Whilst occasionally directing other people's writing, most of his work has been self written and his films have gone on to win awards and been selected in festivals across the world. His short CANNED won ‘Best Experimental’ at BFI Future Fest, ‘Best Emerging Talent’ at New Renaissance Film Festival, official selection at Aesthetica Film Festival and was a finalist in the British Short Film Awards. His short film MUDLARK was nominated for ‘Best UK Short’ at Raindance Film Festival in 2021. His 2022 short film THROUGH THE MOTIONS was selected to play at the United Nations COP 27 Climate Change Conference. THE STORM (2023) has already been awarded "Best Uk Comedy” at NRFF and selections at LSFF, Bremen IFF, Snowdance FF and more. Additionally Clemente founded and runs a monthly short film night at Peckhamplex Cinema, London, which gives local, young or independent filmmakers an opportunity to show their films for free.
Director:
2021 I Had A King
2021 Mudlark
2022 Canned
2022 Through the Motions
2023 The Storm
???? RED (with the green hair)
Writer:
2021 I Had A King
2021 Mudlark
2022 Canned
2022 Through the Motions
2023 The Storm
???? RED (with the green hair)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.