A work in constant progress (and occasional regress).
Birthplace:
Springfield, Massachusetts, USA
Born:
April 20, 1909
Died:
November 22, 1964
George Tomasini (April 20, 1909 – November 22, 1964) was an American film editor, born in Springfield, Massachusetts who had a decade long collaboration with director Alfred Hitchcock, editing nine of his movies between 1954-1964. Tomasini edited many of Hitchcock's best-known works, such as the horror film classics The Birds (1963) and Psycho (1960), the spy thriller North by Northwest (1959), the director's masterpieces Vertigo (1958) and Rear Window (1954), as well as other memorable films such as the original Cape Fear (1962). On a 2012 listing of the 75 best edited films of all time, compiled by the Motion Picture Editors Guild based on a survey of its members, four films edited by Tomasini for Hitchcock appear. No other editor appeared more than three times on this listing. The listed films were Psycho, Vertigo, Rear Window, and North by Northwest. George Tomasini was known for his innovative film editing which, together with Hitchcock's stunning techniques, redefined cinematic language. Tomasini's cutting was always stylish and experimental, all the while pursuing the focus of the story and the characters.[citation needed] Hitchcock and Tomasini's editing of Rear Window has been treated at length in Valerie Orpen's monograph, Film Editing: The Art of the Expressive. His dialogue overlapping and use of jump cuts for exclamation points was dynamic and innovative (such as in the scene in The Birds where the car blows up at the gas station and Tippi Hedren's character watches from a window, as well as the infamous "shower scene" in Psycho). George Tomasini's techniques would influence many subsequent film editors and filmmakers. George Tomasini was nominated for the Academy Award for Film Editing for North by Northwest, but Ben-Hur's editors won the award that year.
Assistant Editor:
1949 Red, Hot and Blue
Editor:
1947 Wild Harvest
1949 Red, Hot and Blue
1952 The Turning Point
1953 Houdini
1953 Stalag 17
1954 Elephant Walk
1954 Rear Window
1955 To Catch a Thief
1956 The Man Who Knew Too Much
1956 The Wrong Man
1957 Hear Me Good
1958 I Married a Monster from Outer Space
1958 Vertigo
1959 North by Northwest
1960 Psycho
1960 The Time Machine
1961 The Misfits
1962 Cape Fear
1963 The Birds
1963 Who's Been Sleeping in My Bed?
1964 7 Faces of Dr. Lao
1964 Marnie
1965 In Harm's Way
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.