Michel Rautmann (b. 1999)

Alias:
Rautmann

Birthplace:
Curitiba, Paraná, Brazil

Born:
January 13, 1999

Director, Director of Photography and Producer at Sabará Filmes. He began his career as a cinematographer in 2017, since then he has made nine short films in this role, among the short films that stand out: "Esperanza" (2022), selected at Olhar de Cinema, "A Casuística" (2019), winner of the award for Best Director of Photography at the Gato Preto Horror Festival, and "Bethany" (2019), winner of the Super Filme Tomada Única at the Super8 International Film Festival.

Additional information:

The Search Form


Art Direction:
2018  Endoscópia

Assistant Director:
2018  Endoscópia
2018  Thievery

Color Grading:
2018  Endoscópia
2018  Thievery
2022  Annunciation

Director:
2017  Everything you think you are, even if you're not (maybe a little)
2018  Endoscópia
2018  Thievery
2021  In the Expectation of Memory
2022  Annunciation
2022  Lamp
????  quandu

Director of Photography:
2017  Everything you think you are, even if you're not (maybe a little)
2018  Endoscópia
2018  Thievery
2019  Bethany
2019  The Casuistry
2019  To All Those Who Obeyed
2021  In the Expectation of Memory
2022  Annunciation
2022  Lamp
2022  Taste of Hope
2022  The Great God Pan Is Dying or It is Easier to Imagine the Apocalypse
2024  Interlude
????  Amalgam
????  Campari
????  quandu

Editor:
2017  Everything you think you are, even if you're not (maybe a little)
2018  Endoscópia
2018  Thievery
2019  Bethany
2019  The Casuistry
2019  To All Those Who Obeyed
2021  In the Expectation of Memory
2022  Annunciation
2022  Lamp
2022  Taste of Hope
2022  The Great God Pan Is Dying or It is Easier to Imagine the Apocalypse
2024  Interlude
????  Amalgam
????  Campari
????  quandu

Producer:
2017  Everything you think you are, even if you're not (maybe a little)
2018  Endoscópia
2018  Thievery
2019  Bethany
2019  The Casuistry
2019  To All Those Who Obeyed
2021  In the Expectation of Memory
2022  Annunciation
2022  Lamp
2022  Taste of Hope
2022  The Great God Pan Is Dying or It is Easier to Imagine the Apocalypse
2024  Interlude
????  Amalgam
????  Campari
????  quandu

Writer:
2017  Everything you think you are, even if you're not (maybe a little)
2018  Endoscópia
2018  Thievery
2019  Bethany
2019  The Casuistry
2019  To All Those Who Obeyed
2021  In the Expectation of Memory
2022  Annunciation
2022  Lamp
2022  Taste of Hope
2022  The Great God Pan Is Dying or It is Easier to Imagine the Apocalypse
2024  Interlude
????  Amalgam
????  Campari
????  quandu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.