A work in constant progress (and occasional regress).
Alias:
AnilKgili
Birthplace:
London, United Kingdom
Anil Kaygili, a prominent London-based cinematographer and creative arts graduate from the Elstree Screen Arts Academy, has made a significant impact in the indie filmmaking scene. He co-founded Eleventh Draft and debuted with the project 'Dump.', highlighting his innovative approach to storytelling and cinematography. Born and raised in London, Anil's multicultural background infuses his work with a unique perspective, blending cultural insights seamlessly into his cinematographic creations.
Assistant Editor:
2022 Sense of Tumour
Camera Operator:
2022 Honey Wagon
2022 Sense of Tumour
Director of Photography:
2022 Honey Wagon
2022 Sense of Tumour
2024 Dump.
Editor:
2022 Honey Wagon
2022 Sense of Tumour
2024 Dump.
Steadicam Operator:
2022 Honey Wagon
2022 Sense of Tumour
2024 Dump.
Title Designer:
2022 Honey Wagon
2022 Sense of Tumour
2024 Dump.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.