A work in constant progress (and occasional regress).
Alias:
Alby Falzon
Albert Falzon, film-maker, has always appreciated the power of music in his films. His inaugural feature film "Morning of the Earth" was the first Australian film to receive a gold record for album sales. His entry in the Cannes Film Festival "Crystal Voyager" featured music from Pink Floyd, Talking Heads and Brian Eno accompanied an Indian Saddhu's pilgrimage in "Same as it ever Was". Falzon's career in film making was a natural progression from international still photography, and later combined with magazine publishing, in Australia, Israel and the island of Bali in Indonesia. He was co-founder and publisher of the surfing newspaper Tracks. His perceptive and sensitive photographic eye almost suggests that he was born with a camera in it. A penchant for travel, particularly to remote and spectacular regions of the world has had a major influence on the themes of Falzon's work. A six part documentary series focused on traditional Festivals in such Far Eastern countries as Sri Lanka, India, Burma, Ladakh and Tibet and has sold to over eighty countries world-wide. The significance of filming some of these regions is only evident today with the political closing of Tibet and Burma to travellers and the civil strife in Sri Lanka and Kashmir. And not all locations were easily accessible. The journey through Tibet to the mystical mountain of Kailas was an arduous two weeks in sub zero temperatures, there the film crew recorded for the very first time the sacred Wesak Festival
Camera Operator:
1973 Crystal Voyager
???? The Kumbha Mela: Same As It Ever Was
Director:
1972 Morning of the Earth
1973 Crystal Voyager
2021 RE-MOTE: The Lost Reels
???? The Kumbha Mela: Same As It Ever Was
Editor:
1972 Morning of the Earth
1973 Crystal Voyager
2021 RE-MOTE: The Lost Reels
???? The Kumbha Mela: Same As It Ever Was
Producer:
1972 Morning of the Earth
1973 Crystal Voyager
2021 RE-MOTE: The Lost Reels
???? The Kumbha Mela: Same As It Ever Was
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.