A work in constant progress (and occasional regress).
Camera Operator:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
Cinematography:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
Color Grading:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
2024 nur wir nicht
Colorist:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
2022 Wo ist mein Safe Space? Fünf Frauen gegen strukturellen Rassismus
2023 Black Savior
2024 nur wir nicht
Director:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
2022 Wo ist mein Safe Space? Fünf Frauen gegen strukturellen Rassismus
2023 Black Savior
2024 nur wir nicht
???? Karl in der AU
Director of Photography:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
2015 Adam
2017 Brut
2017 Der große Tag
2017 Elja - 376 A.D.
2020 Endjährig
2022 Forces
2022 Wo ist mein Safe Space? Fünf Frauen gegen strukturellen Rassismus
2023 Black Savior
2024 nur wir nicht
???? Karl in der AU
???? Vor dem Anfang
Gaffer:
2010 Days Without Tomorrow
2011 Hinterland
2012 Strange Loop
2014 Helikopter-Hausarrest
2015 Adam
2017 Brut
2017 Der große Tag
2017 Elja - 376 A.D.
2020 Endjährig
2022 Forces
2022 Wo ist mein Safe Space? Fünf Frauen gegen strukturellen Rassismus
2023 Black Savior
2024 nur wir nicht
???? Karl in der AU
???? Vor dem Anfang
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.