A work in constant progress (and occasional regress).
Alias:
Magare Banda
Dillon M. Banda is a film director and cinematographer. Dillon won the award for Best International Director at the 2020 Oregon Documentary Film Festival with his short documentary film 'Ashima', was awarded Merit for Best Documentary at The One Club for Creativity's 100th ADC Awards, and was shortlisted for 4 Berlin Commercial Awards, a Ciclope Asia Award, a Ciclope Africa Award and the Kinsale Shark Award for Best Cinematography with the same film. He previously won the award for Best Cinematography at the 2019 Oregon Documentary Film Festival with his short documentary film 'Belong'. Born to a Zambian mother and a Zimbabwean father, and with his childhood and formative years spent across 3 continents - Europe, Africa and Asia - Dillon brings a unique sensibility and heightened cultural sensitivity to his work. A love for analogue photography continues to hone his eye and inform the keen attention to cinematography and composition that typifies his films. His films also often blur the line between narrative and documentary, albeit with a consistently cinematic aesthetic.
Director:
2017 Ghosts
2018 Spirit
2019 Belong
2020 Ashima
2022 Hummingbird
Director of Photography:
2017 Ghosts
2018 Spirit
2019 Belong
2020 Ashima
2022 Hummingbird
Writer:
2017 Ghosts
2018 Spirit
2019 Belong
2020 Ashima
2022 Hummingbird
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.