A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Mexico
Born:
July 1, 1997
(Taken from Manuel Bayo Gisbert's website) b. 1997. I am a Mexican visual anthropologist. My work exists somewhere between journalism and art, and focuses on my relationship with the history of my homeland. Both my photographs and my writing have been published in The New York Times and other international news outlets, as well as appearing in art publications. I am currently expanding and completing chapters of my extensive project A Solid Home, on enforced disappearance and the history of violence in Mexico; it includes sections of both film and still photography. In September 2024, I exhibited A Solid Home in my first solo show, with the venue being the Rayburn House Office Building of the United States Congress, in Washington D.C. It was organized and funded by Amnesty International, the National Security Archive, Global Exchange and the Latin American Working Group. I was a recipient of the Jan Mulder Scholarship, a full scholarship to attend the International Center of Photography’s (ICP) One-Year Certificate Program in Photojournalism, from which I graduated in 2023. I studied a bachelor’s in film directing at Centro de Capacitación Cinematográfica (CCC) and was part of the 2021 class of Centro de la Imagen’s Seminario de Producción Fotográfica. I was a finalist of the Counter Histories initiative at the Magnum Foundation and have taken part in activities and exhibitions with the VII Academy, Festival Internacional de Fotografía en Valparaíso (FIFV), Kranj Foto Festival, Sphere Festival and the Hamburg Portfolio Review. I have been a student of artists such as Antoine D’Agata, Sohrab Hura, Alex Webb & Rebecca Norris Webb, Sabiha Çimen, Joan Fontcuberta, Laida Lertxundi, Lynne Sachs, Felipe Cazals and Alonso Ruizpalacios. My short films have been exhibited at Mexico’s Cineteca Nacional and other venues in the United Sates, South Korea and Russia. In 2020, I curated a large retrospective of the works of R. Bruce Elder at Cineteca Nacional and Mexico’s Institut Français d’Amérique Latine (IFAL). Besides my work in film and photography, I have done performance, installations and music videos. I have given self-documentation workshops to young people in both the United States and Mexico; the results of these workshops have been exhibited as collaborative pieces. I am a member of the Brigada Nacional de Búsqueda de Personas Desaparecidas (National Brigade of Search of Missing People).
Cinematography:
2019 Kintsukuroi or where the trees are born
Director:
2019 Kintsukuroi or where the trees are born
2020 Portrait of my Dreams Mixing with Her's
2021 Untitled, Unfinished
2022 Crossing Bridges on Sunny Days, Eyes Closed
2024 Portrait of Omar
Director of Photography:
2019 Kintsukuroi or where the trees are born
2020 Portrait of my Dreams Mixing with Her's
2021 Untitled, Unfinished
2022 Crossing Bridges on Sunny Days, Eyes Closed
2024 Portrait of Omar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.