Frisly Soberanis

Birthplace:
Guatemala City, Guatemala

Frisly Soberanis is a filmmaker, producer, cinematographer and video artist, from Queens, New York via Guatemala. His work has received support from the Tribeca Film Institute's New Media Prototype Fund, Center for Cultural Power, the Lotus Foundation, and the Nelson Mandela Foundation. He has produced and co-produced award-winning narrative short films that have screened at 50+ film festivals across the world including BFI London Film Festival, Frameline, Outfest, Hollyshorts, Cinequest (Best Student Short), and Durban International Film Festival (Special Mention). He served as a producer on the forthcoming narrative short, Roots That Reach Toward The Sky (directed by Jess X. Snow) received support from the Sundance Institute and the Alfred P. Sloan Foundation, as well as The Beguiling (directed by ishkwaazhe Shane McSauby) which world premiered at the 2024 Toronto International Film Festival. Frisly's work has been shown at el Centro de Cultura Digital (CCDMX) in Mexico City, the IFP Made in NY Media Center, the LA Latino International Film Festival and the Queens Museum Science Fiction Festival.  He is a member of Tierra Narrative, a Central American collective and production house connecting the homeland and the diaspora.

Additional information:

The Search Form


Additional Camera:
2022  People Unite!

Boom Operator:
2021  Little Sky
2022  People Unite!

Co-Producer:
2021  Little Sky
2022  People Unite!

Director:
2020  Forces of a city #1
2021  Little Sky
2022  People Unite!

Producer:
2020  Forces of a city #1
2021  Little Sky
2022  People Unite!
2024  Roots That Reach Toward The Sky
2024  The Beguiling

Writer:
2020  Forces of a city #1
2021  Little Sky
2022  People Unite!
2024  Roots That Reach Toward The Sky
2024  The Beguiling

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.