Lara Vilanova

Birthplace:
Barcelona, Spain

Additional information:

The Search Form


Camera Operator:
2021  The Return: Life After ISIS

Cinematography:
2021  The Return: Life After ISIS
2022  Onde máis doe

Color Grading:
2017  Colita: El viaje sin fin
2021  The Return: Life After ISIS
2022  Onde máis doe

Colorist:
2017  Colita: El viaje sin fin
2018  Young & Beautiful
2019  End of the Century
2021  918 Nights
2021  The Return: Life After ISIS
2022  Horses Die at Dawn
2022  Melody of a Sorrow Heart
2022  Onde máis doe
2022  Suna
2023  Somorrostro en tres actes
2023  The Female Side Effect
2025  IUS of Time
????  BruumRuum! (C)

Director of Photography:
2017  Colita: El viaje sin fin
2017  Thirty Souls
2018  Young & Beautiful
2019  End of the Century
2021  918 Nights
2021  The Return: Life After ISIS
2022  Chords
2022  Horses Die at Dawn
2022  Melody of a Sorrow Heart
2022  Onde máis doe
2022  Suna
2022  Thirst
2023  Somorrostro en tres actes
2023  The Female Side Effect
2024  Hondarrak
2024  Les vacances de Mara
2024  Mentiste, Amanda
2025  IUS of Time
????  BruumRuum! (C)

Senior Colorist:
2017  Colita: El viaje sin fin
2017  Thirty Souls
2018  Young & Beautiful
2019  End of the Century
2021  918 Nights
2021  The Return: Life After ISIS
2022  Chords
2022  Horses Die at Dawn
2022  Melody of a Sorrow Heart
2022  Onde máis doe
2022  Suna
2022  Thirst
2023  Somorrostro en tres actes
2023  The Female Side Effect
2024  Hondarrak
2024  Les vacances de Mara
2024  Mentiste, Amanda
2025  IUS of Time
????  BruumRuum! (C)

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.