Home

Nguyen Tan Hoang

Alias:
Hoang Nguyen Tan
Ngyen Tan Hoang

Birthplace:
Saigon, Vietnam

Biography from TheMovieDB

Nguyen Tan Hoang is a video artist whose work interrogates forms of desire in queer Asian male identities, Vietnamese diasporic cultural production, and Asian American popular culture. His short experimental videos have screened nationally and internationally in venues such as New York’s MOMA, the Musée National d’Art Moderne at the Centre Georges Pompidou, and The Getty Center. His critical writings have appeared in Porn Studies, Vectors: Journal of Culture and Technology in a Dynamic Vernacular, GLQ, and Resolutions 3: Video Praxis in Global Spaces. His book, A View from the Bottom: Asian American Masculinity and Sexual Representation (Duke UP, 2014), looks at the depiction of gay Asian bottomhood in film, video, and the Internet. He has programmed film, video, and performance work for a variety of international film festivals and other venues. He is Associate Professor of English and Film Studies at Bryn Mawr College.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
1995  Forever Jimmy!
1995  These Are a Few of My Favorite Things
1996  Forever Linda!
1997  Maybe Never (But I'm Counting the Days)
1999  Forever Bottom!
2000  Pirated!
2001  K.I.P.
2011  look_im_azn
2015  Cover Girl: A Gift from God
2019  I Remember Dancing

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.