A work in constant progress (and occasional regress).
Alias:
Collin Campbell
Birthplace:
Reston, Manitoba
Born:
June 15, 1942
Died:
October 16, 2001
Colin Campbell was born in Reston, Manitoba in 1942. He gained his Bachelor of Fine Arts Degree from the University of Manitoba in Winnipeg in 1966 and his Masters of Fine Art degree from Claremont Graduate School in California in 1969. After completing his education, he returned to Canada to teach at Mount Allison University in Sackville, New Brunswick, where he stayed until 1972 – a watershed year in Campbell’s artistic development. As one of the pioneers of video art in Canada, Toronto based artist Colin Campbell has had an international career that parallels the development of video art. Originally a sculptor, Campbell was first introduced to video in 1972, as the technology was beginning to emerge. “For me, video’s appeal lay in its potential for theatricality, performance and narrative,” said Campbell in Now Magazine. “The first subject of those things was myself. Gradually I started to turn the camera outward, developing characters and personae much different from my own.” Campbell avoids slick television style video production in favour of his highly developed grass roots style, which Bruce Ferguson has called the “aesthetics of poverty.” Campbell’s narratives explore gender-bending scenarios, rich with humour and pathos. In his exploration of gender stereotypes, Campbell has consistently kept to informal styles and scripts, cheap and homespun sets, and a cast often made up of himself and friends, including Ferguson, artists Johanna Householder and Tanya Mars, and fellow video veteran Lisa Steele. His approach was perhaps best described by Adele Freedman in Toronto Life: “Campbell is the kind of romantic who can sense tragic potential in a package of Kraft dinner.”
Art Direction:
1988 Urinal
Camera Operator:
1980 He's a Growing Boy, She's Turning Forty
1988 Urinal
Director:
1972 Sackville, I'm Yours
1974 I'm a Voyeur
1978 Modern Love
1979 Bad Girls
1980 He's a Growing Boy, She's Turning Forty
1981 Dangling by Their Mouths
1981 Snip, Snip
1985 No Voice Over
1987 Black and Light
1988 Urinal
1990 Skin
Producer:
1972 Sackville, I'm Yours
1974 I'm a Voyeur
1978 Modern Love
1979 Bad Girls
1980 He's a Growing Boy, She's Turning Forty
1981 Dangling by Their Mouths
1981 Snip, Snip
1985 No Voice Over
1987 Black and Light
1988 Urinal
1990 Skin
Writer:
1972 Sackville, I'm Yours
1974 I'm a Voyeur
1978 Modern Love
1979 Bad Girls
1980 He's a Growing Boy, She's Turning Forty
1981 Dangling by Their Mouths
1981 Snip, Snip
1985 No Voice Over
1987 Black and Light
1988 Urinal
1990 Skin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.