A work in constant progress (and occasional regress).
Michele Conforti is an Italian filmmaker and television director. He studied architecture in the earlt 70s and then went on to study film at Centro Sperimentale di Cinematografia in Rome under the pedagogical direction of Roberto Rossellini. Conforti was a fellow student of Ellis Donda - they both graduated from Centro Sperimentale in 1974 - and helped Donda producing the short films Engel und Puppe and Come cinema. From 1989 to 1994 he served as a member, by ministerial appointment, of the Film Credit Committee, representing filmmakers organizations. From 1994 to 1996 he was president of the National Association of Cinematographic Authors (ANAC). From 2002 to 2010 he served as secretary general of the Associazione Registi della Fiction televisiva (ART). From 2006 to 2009 he was a member of the Board of Directors of Cinecittà Holding spa and a board member of Cinecittà Studios spa upon ministerial designation and appointment. In April 2013, he was appointed by the SIAE Supervisory Board as a member of the association's Cinema Commission. From 2010 to June 2017 he was a member, as an independent director, of the Board of Directors of Cinecittà Digital Factory. He is a member of the David di Donatello and EFA (European Film Academy) jury.
Coordinating Producer:
1976 Come cinema
Director:
1976 Come cinema
1995 Rome, November 12, 1994
Director of Photography:
1975 Engel und Puppe
1976 Come cinema
1995 Rome, November 12, 1994
Story Editor:
1989 La notte della Repubblica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.