A work in constant progress (and occasional regress).
Alias:
Lee Edward Colston II
Birthplace:
Philadelphia, Pennsylvania, USA
Philly native Lee Edward Colston II is a Black, Queer, former prison guard and MMA Fighter turned actor, writer, director, teacher, and author. He was a finalist for the 2017 IAMA Theatre Company’s Shonda Rhimes Unsung Voices Playwriting Commission and a recipient of the National Black Theatre’s I AM SOUL Playwrights Residency. The First Deep Breath received critical acclaim as “…one of the best Chicago plays of the decade…” after its world premiere at Victory Gardens Theater in Chicago, earning Colston a 2020 Jeff Award for Best New Work as well as a 2020 Steinberg/ATCA New Play Award given by the American Theatre Critics Association. Past winners include Lynn Nottage, August Wilson, and Horton Foote. Some of Colston’s other plays include: Roost, For Which It Stands, Solitary, Holla, and Birthday Cake. Colston previously wrote on Fargo (FX) starring Chris Rock. His episode “East/West” was named one of the top TV Episodes of 2020 by The Hollywood Reporter. Colston has developed television projects at HBO with Academy Award winners Laura Dern, Eric Roth, and Alex Gibney. He has also developed with Emmy Award winners Joe Fields and Joel Weisberg at FX. Most recently, Lee is a co-producer on Ryan Murphy’s American Sports Story: Gladiator and is developing a new series with Emmy Award–winning The Handmaid’s Tale producer Warren Littlefield. Colston earned his M.F.A. in Acting at The Juilliard School and is repped by Range Media Partners and CAA.
Producer:
2024 American Sports Story
Writer:
2014 Fargo
2020 For Life
2024 American Sports Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.