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Franz Rath (b. 1932)

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Birthplace:
Eltville, Germany

Born:
June 22, 1932

Additional information:

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Film Production

Cinematography:
1966  Young Törless
1971  The Sudden Wealth of the Poor People of Kombach
1972  Heiß und kalt
1974  Stayover in Tirol
1982  Pilgrim, Farewell
1986  Of Pure Blood
1991  Tote Briefe
2007  Verstörung - und eine Art von Poesie. Die Filmlegende Bernhard Wicki

Director of Photography:
1966  Young Törless
1967  A Degree of Murder
1971  Der kopflose Falke
1971  The Sudden Wealth of the Poor People of Kombach
1972  Heiß und kalt
1974  Stayover in Tirol
1978  The Second Awakening of Christa Klages
1979  Der Chinese
1979  Sisters, or The Balance of Happiness
1981  Marianne and Juliane
1982  Krieg und Frieden
1982  Pilgrim, Farewell
1984  Vengeance Is Mine
1986  Of Pure Blood
1986  Rosa Luxemburg
1987  Hatschipuh
1988  Felix
1989  Mistress Berta Garlan
1991  Anna Goldin, the Last Witch
1991  Es wäre gut, daß ein Mensch würde umbracht für das Volk
1991  Tote Briefe
1995  The Promise
1997  Kış Çiçeği
1999  Dark Days
2003  Rosenstrasse
2005  Andersrum
2007  Der Fährmeister
2007  Verstörung - und eine Art von Poesie. Die Filmlegende Bernhard Wicki

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TV Performances

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TV Production

Director of Photography:
1970  Scene of the Crime
2000  Jahrestage

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.