A work in constant progress (and occasional regress).
Birthplace:
Thessaloniki, Greece
Simos Kakalas was born in Thessaloniki in 1973 and graduated from the Drama School of the State Theatre of Northern Greece (NTNG), where he worked from 2000 to 2004 as an actor and assistant director. In 1996, he was a founding member of the theatre organization “Nees Morfes”, where he worked mainly as an actor. In 2003, he founded and directed the Theatre Company “Choros”, through which he conducted research and directed his main projects until 2017. With both groups, he defended a theatre of poor means and physicality, poetic discourse and interaction. Since then, he has worked as an independent theater director and has collaborated, among others, with the NTNG, the National Theater in Athens, the Athens & Epidaurus Festival, the Onassis Foundation Stegi and the National Opera. Working with masks, puppets, video projections and live music on stage, he is in constant search of narratives and techniques. As an acting teacher, since 1995 he has taught in countless schools and has organized workshops throughout Greece. His works have been presented at the Dialog Festival (Wrocław, Poland), 40th Tampere International Theatre Festival (Finland), 43rd Kontrapunkt International Festival (Szczecin, Poland), Sibiu International Theatre Festival (Romania), Heidelbergerstuckemarkt (Heidelberg, Germany), Athens and Epidaurus Festival, New Greek Wave (Bremen, Germany), Europe Speaks Out! (Staatsschauspiel Stuttgart, Germany) and the Union of Theatres of Europe (UTE) Festival.
Director:
2020 Destination Acropolis
2020 Tarantino
Writer:
2020 Destination Acropolis
2020 Tarantino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.