A work in constant progress (and occasional regress).
Alias:
아나 발레리아 베세릴
Birthplace:
Mexico City, Mexico
Born:
January 4, 1997
Ana Valeria Becerril, born on January 4, 1997, in Mexico City, is a talented Mexican actress. She began her acting career in 2016 with the short film Magnífico and, in the same year, participated in Camila. Her international recognition came in 2017 when she starred in the film Las hijas de Abril, playing the role of Valeria. This performance earned her the CANACINE Award for Best Female Breakthrough and the Ariel Award for Best Female Revelation. In 2019, Ana Valeria appeared in Muerte al Verano as Lucy. However, it was her role as Sofía Herrera in Netflix's Control Z (2020–2022) that solidified her as a prominent figure in the entertainment industry. Additionally, in 2020, she starred in the short film Aire de lluvia and the movie Mi novia es la revolución as Eva. In 2021, she played Gina in Los Días Que No Estuve. More recently, in 2023, she ventured into the world of podcasts with Caso 63: Enigma, portraying Isabel Frezan, a young woman skilled in solving puzzles and crosswords. Ana Valeria has also been part of TV productions such as Las Bravas F.C. (2022–2024), where she played Claudia, and Las hermanas Guerra (2024), in the role of Jacinta/Itzel. Currently, she stars in the adaptation of Like Water for Chocolate (2024–present) as Rosaura de la Garza. Throughout her career, Ana Valeria Becerril has demonstrated remarkable versatility and talent, establishing herself as one of the most promising actresses of her generation in Mexico.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.