A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Joana Linda, born 1980 in Lisbon, Portugal, attended Communication and Cultural Sciences course at Universidade Lusófona (Lisbon), where she graduated in Cultural and Art Management. In 2001 she started to develop an auto-biographical work in photography, that expanded to video in 2008 with the project "The Seven Sisters", a set of videos exploring the idea of alterity. She exhibited in Portugal and Spain and her work was published in several portuguese and international magazines. In 2009 she made the videoclip "Bird On Your Grave" for the north-american singer Marissa Nadler, premiered in the "Subterranean" TV show of the MTV2 channel. In 2009 she made her first short film "And From Now On There Shall Be No More Wolves (o caçador)", followed in 2011 by "Boduoir".
Cinematography:
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
Director:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
Director of Photography:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
Editor:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
2023 Camera Obscura
Music:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
2023 Camera Obscura
Producer:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
2023 Camera Obscura
Writer:
2009 And From Now On There Shall Be No More Wolves
2011 Boudoir
2014 In Every Dream Home a Heartache
2016 Layla meets Lancelot
2023 Camera Obscura
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.