A work in constant progress (and occasional regress).
Birthplace:
Aylesbury, Buckinghamshire, England, UK
Born:
December 1, 1976
Michelle Camp is a Producer and Co-Producer with Netflix. She is known for Layer Cake (2004), Four Lions (2010) and Dom Hemingway (2013).
Post Production Supervisor:
2009 Bunny and the Bull
2010 Four Lions
2013 Dom Hemingway
2013 The Look of Love
2014 The Face of an Angel
2015 The Ark
2015 The Go-Between
2015 The Scandalous Lady W
2017 The Trip to Spain
Co-Producer:
2022 The Witcher: Blood Origin
2025 MobLand
Post Production Producer:
2016 Hooten & The Lady
2020 Little Birds
2020 Sandition
2022 The Witcher: Blood Origin
2025 MobLand
Post Production Supervisor:
2011 DCI Banks
2011 Death in Paradise
2013 By Any Means
2014 Grantchester
2015 Dickensian
2016 Flowers
2016 Hooten & The Lady
2018 Save Me
2018 The Alienist
2019 Good Omens
2020 Little Birds
2020 Sandition
2021 Bloodlands
2022 The Witcher: Blood Origin
2025 MobLand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.