A work in constant progress (and occasional regress).
Birthplace:
Yardley, Pennsylvania, USA
Born:
May 6, 1978
MERRITT JANSON is a New York based actor working across theater, television and film. Devoted to developing new work, Merritt has originated roles in Robert Woodruff's Notes From Underground and Autumn Sonata (Yale Rep, La Jolla, Theatre for a New Audience); Your Blues Ain’t Sweet Like Mine, created by Ruben Santiago-Hudson (Two River); Built with Robert O’Hara at 59E59, Jonathan Franzen’s House For Sale directed by Daniel Fish (Duke Theater, Transport Group); Lloyd Suh’s Great Wall Story (Denver Center); The Deception created by Dominique Serrand (La Jolla); and The Onion Cellar with Amanda Palmer and The Dresden Dolls at the American Repertory Theater. An Off-Broadway regular, Merritt has specialized in classical roles with Theater for a New Audience (Julius Caesar directed by Shana Cooper, Sir Michael Boyd's Tamburlaine the Great, and Measure for Measure directed by Simon Godwin); The Public (Richard II w/WNYC, A Midsummer Night’s Dream); Red Bull Theater (Coriolanus) and Shakespeare Theatre DC’s Othello. Over five seasons with Shakespeare & Company she played Miranda opposite Olympia Dukakis in The Tempest, Viola in Twelfth Night, Rosalind in As You Like It, Titania in A Midsummer Night’s Dream, and Desdemona in Othello opposite John Douglas Thompson. Other works include the title role in The Wilma’s Eurydice directed by Blanka Zizka, American Repertory Theater’s Britannicus directed by Robert Woodruff, Paradise Lost directed by Daniel Fish and HVSF’s Mr. Burns, A Post-Electric Play, directed by Davis McCallum. She can be found regularly onscreen most recently appearing on “Law & Order” (NBC Universal); “Dexter: New Blood” (Showtime), “Elementary” (CBS), “Billions” (Showtime), “Quantico” (ABC), and “Madam Secretary” (CBS). Merritt also plays music. Her style and composition are rooted in early American blues and her primary instruments are finger-style guitar, piano and tenor banjo. She has used this skill in several productions, most recently in TFANA’s Measure for Measure. Merritt holds an MFA in Acting from ART/MXAT at Harvard University.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.