A work in constant progress (and occasional regress).
Ester Song Kim is a Korean American female filmmaker and production designer based in Los Angeles. She started working in this industry in 2012 after moving to LA with no knowledge about filmmaking, learning the trade through the art department. Around 2015 or so, she began making her own movies.
Director:
2020 Open Arms
2021 Uncle
2022 Four Chairs
Producer:
2020 Open Arms
2021 Uncle
2022 Four Chairs
Production Design:
2020 Open Arms
2021 Uncle
2022 Actuary
2022 Four Chairs
Production Designer:
2017 AwesomeFunTV
2020 Open Arms
2021 Uncle
2022 Actuary
2022 Four Chairs
Set Designer:
2017 AwesomeFunTV
2020 Open Arms
2021 Uncle
2022 Actuary
2022 Four Chairs
2023 Untangled
Set Dresser:
2017 AwesomeFunTV
2020 Open Arms
2021 Uncle
2022 Actuary
2022 Four Chairs
2023 Untangled
Writer:
2017 AwesomeFunTV
2020 Open Arms
2021 Uncle
2022 Actuary
2022 Four Chairs
2023 Untangled
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.