A work in constant progress (and occasional regress).
Camera Operator:
2019 Jackson: Na Batida do Pandeiro
Color Grading:
2019 Jackson: Na Batida do Pandeiro
2022 Cordelina
Colorist:
2019 Jackson: Na Batida do Pandeiro
2022 Cordelina
2023 Anomalia
Director:
2013 A Queima
2019 Jackson: Na Batida do Pandeiro
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
Editor:
2013 A Queima
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Executive Producer:
2013 A Queima
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Producer:
2013 A Queima
2015 Acho bonito quem veste
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Screenplay:
2013 A Queima
2015 Acho bonito quem veste
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Sound Designer:
2013 A Queima
2015 Acho bonito quem veste
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Writer:
2013 A Queima
2015 Acho bonito quem veste
2017 Stanley
2019 Jackson: Na Batida do Pandeiro
2019 O Seu Amor de Volta (Mesmo que ele não queira)
2020 Lazarus' Hunger
2022 Cordelina
2023 Anomalia
2023 Conserva
2023 La Caramella
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.