Home

Marta Rodriguez Maleck

Gallery Unavailable

Biography from TheMovieDB

Marta Rodriguez Maleck is a filmmaker and artist who works in audio, video, and installation, engaging people in participatory methods of storytelling that encourage communal accountability, healing, and understanding. By creating environments conducive to self-reflection, she explores the roles we play in our interactions with one another and where the intersections of our identities and prejudices lie. Rodriguez Maleck has shown publicly and institutionally at the New Orleans Museum of Art and Canal Place Mall in New Orleans, the Atlanta Contemporary Art Center, the Ogden Museum of Southern Art, the Pensacola Museum of Art, Hyde Park Art Center, Baby Blue Gallery, and Anas Galley in Chicago, AnyTime Dept in Cincinnati, and Ground Floor Gallery in Brooklyn. Marta hosts a bi-monthly podcast on Montez Press Radio in New York called 'Reports from New Orleans.' Rodriguez Maleck lives and works in New Orleans.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Director:
2020  The Only Thing Left to Do Is Start
2021  Nonstop

Editor:
2020  The Only Thing Left to Do Is Start
2021  Nonstop

Producer:
2020  The Only Thing Left to Do Is Start
2021  Nonstop

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.