A work in constant progress (and occasional regress).
Birthplace:
St Leonards-on-Sea, Sussex, England, UK
Born:
October 15, 1981
Anna-Maria Nabirye is a multidisciplinary artist working across performance, visual arts, social practice, fashion, theatre, film and television. Nabirye co-founded Afri-Co-Lab & creative brand AfroRetro with her sister, a creative community dreaming space in St Leonards-on-Sea. They have had partnership projects with Black Cultural Archives, Royal Court, V&A, Southbank Centre, Brighton Museum, Home Live Art, De La Warr Pavilion and awarded Yinka Shonibare’s Guest Projects Africa residency. Nabirye has on-going collaborations with Jess Mabel Jones and duo Noorafshan Mirza and Brad Butler. She has devised and performed work with Improbable Theatre and Metis Theatre. As an actor her credits include The National Theatre, Shakespeare’s Globe, The Almeida, Deafinitely Theatre, The Faction, BBC & Film4. Nabirye is a passionate educator and has directed, taught and created programmes for theatre, music and visual arts institutions. Her current work Up In Arms, co-created with Annie Saunders has been commissioned by The De La Warr Pavilion and produced by Arts Admin, opening Feb 2023 and running until May 21st and includes a full exhibition, performance (7th May) and publication (spring 2024) She is currently occupied with creating joy and how that intersects with the experiences and cultural representation of Black women. Without joy there can be no revolution.
Production Assistant:
2011 Red Light
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.