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Ludvík Široký (1947-1998)

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Born:
August 25, 1947

Died:
September 15, 1998

Additional information:

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Film Production

Art Direction:
1994  Good King Wenceslas

Assistant Production Design:
1976  Prodaná nevěsta
1977  Smrt mouchy
1978  Meeting in July
1978  Waiting for the Rain
1980  Čas pracuje pro vraha
1981  Blázni, vodníci a podvodníci
1981  Velké přání
1982  Víkend bez rodičů
1994  Good King Wenceslas

Production Design:
1976  Prodaná nevěsta
1977  Smrt mouchy
1978  Meeting in July
1978  Waiting for the Rain
1980  Čas pracuje pro vraha
1981  Blázni, vodníci a podvodníci
1981  Velké přání
1982  Víkend bez rodičů
1984  The Infinity Castle
1985  Až do konce
1985  Love from the Passage
1986  Antonyho šance
1986  Bloudění orientačního běžce
1986  Muž na drátě
1986  Výjimečná situace
1987  Cena medu
1987  Wolf's Hole
1988  Currency and Peace
1988  Džusový román
1988  Who's That Soldier?
1994  Good King Wenceslas

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.