A work in constant progress (and occasional regress).
Alias:
Memo Villegas
Birthplace:
Toluca, Estado de México, México
Born:
June 25, 1987
Guillermo Villegas, born June 26, 1987, better known as Memo Villegas, is a Mexican actor and comedian. He has been active in the media from 2006 to the present. In his childhood, had the illusion of becoming a professional soccer player. His dream changed when, in sixth grade, he played the role of Gaston in a school production of Beauty and the Beast, thus discovering his true vocation. In 2005, at the age of 18, he left his home in Toluca and emigrated to Mexico City, where he finished his high school studies and took a year of artistic initiation to find out if he had an aptitude for theater. From that moment on, he began attending various theater workshops throughout middle and high school, eventually leading him to pursue and obtain a degree in acting at the National Institute of Fine Arts (INBA). He began his professional career in 2007, with a role in Julián Hernández's film, Rabioso sol, rabioso cielo (2009), presented at the Berlin Film Festival in 2009. He worked again with the acclaimed director in the segment "Atmosfera", from the anthology Sucedió un día (2010) and followed with roles in Días de gracia (2011) and México Bárbaro (2014). Alongside his theater career and a regular role in the series Narcos: Mexico (2018), Memo gained fame for the comedy sketch Harina, where he plays an officer, performed by the comedy ensemble known as Backdoor. The video became a viral sensation on social networks within hours of its premiere, exceeding the expectations of all involved. After the sketch put him on the map, other productions arise such as: Una mujer Sin Filtro, Cómo sobrevivir Soltero, El Mesero and in Netflix productions being part of: Narcos Mexico, Noche de Fuego, Historia de un crimen, Divina Gula, and El Último Vagón.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.