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Sayna Fardaraghi (b. 1999)

Birthplace:
England

Born:
February 21, 1999

Biography from TheMovieDB

Sayna Fardaraghi is a Persian artist and filmmaker known for her short films L'Observateur & Waiting. Her work is heavily inspired by the 'little things' in the life, ranging from forgotten memories to things we fail to notice in our daily hectic lives.

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Additional information:

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Film Production

Cinematography:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting

Color Grading:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting
2021  Angel Unemployed

Director:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting
2021  Angel Unemployed
2025  Glint

Editor:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting
2021  Angel Unemployed
2025  Glint

Producer:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting
2021  Angel Unemployed
2025  Glint

Writer:
2019  L'Observateur
2020  Visions of a Vivid Life
2020  Waiting
2021  Angel Unemployed
2025  Glint

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.