A work in constant progress (and occasional regress).
ADR Mixer:
2013 Abuse of Weakness
ADR Recordist:
2012 Maddened by His Absence
2013 Abuse of Weakness
Dialogue Editor:
2012 Maddened by His Absence
2013 Abuse of Weakness
2020 Sea Fever
Foley:
2012 Maddened by His Absence
2013 Abuse of Weakness
2020 Mother at War
2020 Sea Fever
Foley Mixer:
2012 Maddened by His Absence
2013 Abuse of Weakness
2016 Eternity
2016 Heartstrings
2016 Mirage of Love
2017 Carbone
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2024 Saint-Exupéry
2025 Rembrandt
Sound:
2008 Black Lands
2012 Maddened by His Absence
2013 Abuse of Weakness
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 Mirage of Love
2017 Carbone
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2024 Saint-Exupéry
2024 The Hunted
2025 Rembrandt
Sound Designer:
2008 Black Lands
2012 Maddened by His Absence
2013 Abuse of Weakness
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 Mirage of Love
2017 Carbone
2017 I Am Not Your Negro
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2024 Saint-Exupéry
2024 The Hunted
2025 Rembrandt
Sound Editor:
2007 Eichmann
2008 Black Lands
2012 Maddened by His Absence
2013 Abuse of Weakness
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 Mirage of Love
2017 Carbone
2017 I Am Not Your Negro
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2022 On the Fringe
2024 Saint-Exupéry
2024 The Hunted
2025 Rembrandt
Sound Engineer:
2007 Eichmann
2008 Black Lands
2012 Maddened by His Absence
2013 Abuse of Weakness
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 L'horizon de Bene
2016 Mirage of Love
2017 Carbone
2017 I Am Not Your Negro
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2022 On the Fringe
2024 Saint-Exupéry
2024 The Hunted
2025 Rembrandt
Sound Mixer:
2007 Eichmann
2008 Black Lands
2012 Maddened by His Absence
2013 Abuse of Weakness
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 L'horizon de Bene
2016 Mirage of Love
2017 Carbone
2017 I Am Not Your Negro
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2022 On the Fringe
2024 Saint-Exupéry
2024 The Hunted
2025 Rembrandt
Sound Re-Recording Mixer:
2007 Eichmann
2008 Black Lands
2011 Glenn, the Flying Robot
2011 ¿Estás ahí?
2012 Maddened by His Absence
2012 Play It Like Godard
2012 Rondo
2013 Abuse of Weakness
2014 La Douce Empoisonneuse
2015 Les brigands
2016 Eternity
2016 Heartstrings
2016 L'horizon de Bene
2016 Mirage of Love
2017 Carbone
2017 I Am Not Your Negro
2017 Just to Be Sure
2019 Conviction
2020 Mother at War
2020 Sea Fever
2021 Playground
2022 On the Fringe
2022 The Green Shutters
2023 Nightman
2024 Saint-Exupéry
2024 The Hunted
2025 Across the Sea
2025 Rembrandt
Foley Mixer:
2023 Estonia
Sound:
2021 Exterminate All the Brutes
2023 Estonia
Sound Re-Recording Mixer:
2021 Exterminate All the Brutes
2023 Estonia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.