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Ken Scrivener (1919-2006)

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Born:
January 19, 1919

Died:
June 16, 2006

Additional information:

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Film Production

Sound:
1951  Out of True
1969  The Night of the Following Day
1981  Outlaw: The Saga of Gisli

Sound Mixer:
1951  Glasgow Orpheus Choir
1951  Out of True
1969  The Night of the Following Day
1970  The Rise and Rise of Michael Rimmer
1976  Pure as a Lily
1981  Outlaw: The Saga of Gisli
1982  Xtro

Sound Re-Recording Mixer:
1951  Glasgow Orpheus Choir
1951  Out of True
1964  Strictly for the Birds
1969  The Night of the Following Day
1970  The Rise and Rise of Michael Rimmer
1976  Pure as a Lily
1977  No. 1 of the Secret Service
1981  Outlaw: The Saga of Gisli
1982  Xtro

Sound Recordist:
1949  The People at No. 19
1950  Four Men in Prison
1951  Glasgow Orpheus Choir
1951  Out of True
1953  The Conquest of Everest
1954  Views on Trial
1964  Strictly for the Birds
1969  The Night of the Following Day
1970  The Rise and Rise of Michael Rimmer
1971  10 Rillington Place
1976  Pure as a Lily
1977  No. 1 of the Secret Service
1981  Outlaw: The Saga of Gisli
1982  Xtro

Click the heading above to show or hide the list.

TV Production

Sound Mixer:
1979  Danger UXB

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.