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Sofía Peypoch (b. 1994)

Alias:
Sofía Peypoch

Birthplace:
Mexico City, Mexico

Born:
April 15, 1994

Biography from TheMovieDB

Visual artist that combines film, photography, poetry and found objects. Her practice resides at the interstice between personal memory and collective thought. Her work imagines memory as navigable space where meaning lies in witnessing the experience of the present as a continuous fabric of events in constant transformation. She is currently working on a documentary about the volition of matter to preserve memory.

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Additional information:

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Film Performances

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Film Production

Director:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

Director of Photography:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

Editor:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

Producer:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

Screenplay:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

Writer:
2019  Kintsukuroi or where the trees are born
2020  I Imagine a Text that Changes
2020  at her heels a stone
2020  there is a willow grows aslant a brook,
2022  there with fantastic garlands did she come
2022  verdes ojos
2023  earth altars
2023  then turn tears to fires

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.