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Lydia Cornett

Biography from TheMovieDB

Lydia Cornett is a documentary filmmaker from Baltimore, Maryland. Her films focus on artistic performance, personal histories, and multilayered characters. In 2019, her film Narmin's Birthday was a recipient of the NYC Women’s Fund for Media, Music and Theatre, and her film Yves & Variation premiered at BAMcinemaFest. She was the Valentine & Clark Emerging Artist Fellow at the Jacob Burns Film Center and a CoLab Fellow at UnionDocs. She has worked under filmmakers Chai Vasarhelyi (Meru); Brett Story (The Hottest August); and Ken Burns (East Lake Meadows: A Public Housing Story). As a freelance video producer, she has created content for The New Yorker, Slate Magazine, The Washington Post, Atlas Obscura, and Penguin Random House.  Lydia studied History and Film/Video at Princeton University and is a classically trained violinist & composer.

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Film Production

Additional Camera:
2018  The Blessings of Aging

Director:
2018  The Blessings of Aging
2019  Yves & Variation
2020  Bug Farm
2021  Party Line
2023  Fleshwork

Editor:
2018  The Blessings of Aging
2019  Yves & Variation
2020  Bug Farm
2021  Party Line
2023  Fleshwork

Producer:
2018  The Blessings of Aging
2019  Yves & Variation
2020  Bug Farm
2021  Party Line
2023  Fleshwork

Sound:
2018  The Blessings of Aging
2019  Yves & Variation
2020  Bug Farm
2020  Caro Comes Out
2021  Party Line
2023  Fleshwork

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.