A work in constant progress (and occasional regress).
Nick Canfield is an award-winning Director and Cinematographer from New York City. He got his start as camera assistant to legendary documentary filmmaker Albert Maysles, developing an intimate vérité style as a cinematographer and archivist for Maysles Films. His first film, the feature music documentary The Reverend, streamed on The Criterion Channel. Distributed theatrically by Factory 25, it won the Audience Award at DOC NYC and Best Domestic Feature at Thin Line Festival. Working on the camera teams for a range of projects, Nick has enjoyed the opportunity to learn from a diverse group of subjects and filmmakers. His camera work can be seen in documentaries such as Iris (NYFF premiere, distributed by Magnolia Pictures), The Fifty Year Argument (HBO, directed by Martin Scorsese), Born to Fly (SxSW premiere), In Transit (Tribeca Special Jury Mention), Quitting Time (True/False premiere) and Making a Murderer (Netflix). His films have been covered in media including The New York Times and Rolling Stone. Nick is a member of the Documentary Cinematographer’s Alliance, serves on the board of the Maysles Documentary Center, was named one of DOC NYC’s 40 Filmmakers Under 40 in 2022, and was a member of their Short Films Jury in 2023. His latest film, the short documentary My Back Pages, premiered at the Woodstock Film Festival in 2024 and was selected for the Big Sky Documentary Film Festival.
Assistant Camera:
2013 The Secret of Trees
Associate Producer:
2013 The Secret of Trees
2015 In Transit
Cinematography:
2013 The Secret of Trees
2014 Iris
2015 In Transit
2022 The Reverend
2024 My Back Pages
Director:
2013 The Secret of Trees
2014 Iris
2015 In Transit
2022 The Reverend
2024 My Back Pages
2025 Oh Yeah!
???? On the Table
Producer:
2013 The Secret of Trees
2014 Iris
2015 In Transit
2022 The Reverend
2024 My Back Pages
2025 Oh Yeah!
???? On the Table
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.